Nine years behind the timeline.
Film and broadcast finishing first, paid social now. Every piece below is cut to be heard, so turn the sound on.
I cut with AI. And without.
Same editor, two modes. Neu Breed is pure craft: Premiere, After Effects, sound design, nothing generated. BlockCon folds Higgsfield AI shots into real footage. Pick a side.
Direct response
Paid social ads for trade businesses. Hook first, proof in the middle, one ask at the end.
Client had zero footage. The ad shipped anyway.
New client onboarded, no shoot on the calendar yet, and ads that couldn't wait. All we had was their own site photos.
Freshly onboarded client, no shoot scheduled, ads needed to run. Their site photos were the whole archive.
Written per shot for the transforms, including the visual hook that opens the ad.
About 80 percent of the shots are photo-to-video generations from those stills.
Script written for the ad, the read generated with ElevenLabs.
Assembled in Premiere: hook, proof, one ask. Direct response, start to finish.
Reels and TV ads
Cinematic cuts for the big screen and the feed.
Film and TV, online editor
Feature-film finishing from the broadcast years: conform, QC, and final delivery. Full filmography on IMDb.
Deleter
Mikhail Red's horror feature. Metro Manila Film Festival Best Picture.
Feature film · online editor
Bar Boys
Kip Oebanda's law-school comedy-drama, a Filipino cult favourite.
Feature film · online editor
Lolo and the Kid
Netflix original film, streamed worldwide.
Netflix original · online editorWhat I cut
Hook, proof, one ask. Cut in hook variants; ElevenLabs voiceover when needed.
The ninety seconds that travel, captioned and tight.
The customer does the selling; the edit stays out of the way.
A whole project in one music-driven minute.
Text animation, lower thirds, and end cards built in React; re-render from new inputs.
The other half
I also build the pipeline these edits run through: briefs, footage sorting, review flow, ad uploads.